Super Teddy and the Bad Dream (The Adventures of Super Teddy Book 1)

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What's the ending Skyler wants?


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What's the ending Jesse wants? You try to play a very deep game of chess, and the trouble is for me that I'm not a chess player. You try to think through, if Walt does this, and then does this, then the counter-move is this — you try to think 20 moves ahead, and you try to attack it from a lot of different angles. What's fitting for the character, what's fitting for the story, versus what's innately satisfying for the viewer. It was a tough year, year and a half. There were very dark days where I would have a little anxiety attack and I'd say to the other writers, 'We've screwed up, we've taken a wrong turn, is there time for us to go back and reinvent?

My writers would talk me off the ledge, they'd say, 'It's not that bad, we're headed in the right direction, it'll be alright'. And you know, now that it's all said and done — and I may get the shock of my life when the final one airs — but at this moment in time, I feel very good about the ending, I feel very satisfied by it. There are a huge number of very intricate fan theories that have developed online about the show.

How aware are you of that discussion?

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I really stay away from the internet in regards to Breaking Bad , I mean, I use it all the time to find my way around town or whatever! I stay away from it not because I'm not interested, but because I fear it would be a rabbit hole that I would disappear down forever.

Bad Dreams Ep 2: Graveyard - TEDDY BEAR

I am very flattered by it, I'm blown away by the number of really smart people spending a lot of time thinking about this show, and analysing it and parsing every last detail of it. I love to hear it anecdotally, but I don't really want to hear it because I'm afraid You and the writers are on a path, and you kind of have to stick it out, you have to get to the end of the trail and you don't want to get knocked off course.

People way smarter than me have said a lot of very astute things about the show, a great many of them giving me credit for things that weren't even remotely in my mind! There's one specific theory, about Walt taking on the attributes of people he's killed including Gus Fring and Krazy-8, which I wanted to ask you about. Was that intentional?

Specifically in regards to Gus. I would say at this point it's not looking like we're ever gonna see anyone as smart as Gustavo Fring. He was actually, I think, smarter than Walt, and yet Walt defeated him. It was like, the guy who shoots down the Red Baron has to tip his wings, drop the bouquet of roses and say, 'I was lucky to have bested you because you are the better man'. It's that kind of a thing.


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So yeah, he takes on those traits, I think subconsciously. There's been a lot of discussion about Walt refusing to send Hank "to Belize" in last week's episode , which some people found surprising given how ruthless he's become. Does Walt still see family as absolutely sacred? Teddy Ruxpin needs an eye massage. After 30 years in a cramped storage garage near Los Angeles, his brown eyes no longer blink. It's a common problem with bears his age. But with a click of the volume wheel on his back, his snout comes to life. Motors whirl. A speaker crackles. He sings his famous opening line: "Come dream with me tonight.

It's a humid summer day outside Los Angeles, and I'm with the toy's creators in a storage facility nicknamed The Vault. We're sorting through dusty boxes of merchandise, original artwork, tapes and blueprints that shed light on Teddy's whimsical, Disney-infused origin story and the rich fantasy universe he roamed. Born in , the storytelling bear was the world's first animatronic toy. Seven million Teddy Ruxpins found their way into children's bedrooms including mine , his soft voice serenading us with lullabies about the far-off land of Grundo.

Teddy was a bulky toy. Three servo motors in his head moved the eyes and mouth, but the bear's brains were in the cassette tapes you inserted in the player in his back. The same magnetic strip that played the audio also delivered the commands telling Teddy to move his eyes and mouth in sync with his narration.

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As kids flipped through picture books, Teddy read from one of his 60 story tapes he could speak 13 languages. Teddy had a live-action movie and a cartoon TV series. There were Teddy bed sheets. Teddy wallpaper. Teddy picnic baskets. Teddy beach balls. Teddy remained a best-seller -- until the magic ran out in That's when the Silicon Valley firm that funded Teddy went bankrupt, silencing his voice. But not forever. After a long hibernation, the talking bear is returning for the holiday season, and with an updated look: LCD screen eyes, push-button paws and a Bluetooth-connected app.

For the return of the king, I spoke to more than a dozen people involved with Teddy's past and present, including the family of his creator, Ken Forsse, and the team that sewed his stuffing and programmed him into existence. Many of the original members of his team have reunited for Teddy's return. Forsse died in Cheese -- there's even a strand connected to the Nintendo Entertainment System. Forsse, Teddy Ruxpin's very own toy-making Geppetto, started out, appropriately, at Disney, where he was on the creative team designing Disneyland's attractions. He sculpted the heads of animatronic bears at the Country Bear Jamboree and painted the eyes of dolls in "It's a Small World.

He was inspired by the way Disney animatronic figures moved, commanded by giant spools of magnetic tape. At home, Forsse tinkered with ways to use that technology in smaller form, even scripting a puppet show about a little bear's adventures. As with any good fantasy, the universe he created was a land of magical kingdoms, creatures and crystals -- a bit like "Lord of the Rings" but with more fuzz.

Teddy Ruxpin comes from a rich fantasy universe -- a bit like Lord of the Rings, but with more fuzz. Teddy's version of Middle-earth is the land of Grundo. He was born on the southern island of Rilonia. The year-old-bear is best buds with an oversized, eight-legged orange bug-like creature called Grubby.


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  6. The life, death and resurrection of Teddy Ruxpin;
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  8. Together they befriend bumbling inventor, Newton Gimmick, and dodge the evil schemes of the inept wannabe-wizard Tweeg. But Forsse didn't bring his universe to life right away.

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    Forsse left Disney to start his Alchemy company. He bounced between projects -- working alongside the puppeteer creators of the children's TV show "H. Pufnstuf," and consulting for a startup, then called Chuck E. Cheese's Pizza Time Theatre. The animatronic technology he created started out in a different breed of bear: Winnie the Pooh.

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    Hasbro showed interest in a Teddy prototype, but wouldn't provide the funding. Jim Henson visited, but had no immediate use for the tech. There were some weeks Alchemy couldn't pay its staff, says Mary Becker, one of the company's first employees, now vice president. Teddy's big break came in early when Forsse got the attention of Don Kingsborough, a former president of Atari. Teddy was just a stuffed bear head on a stick tethered to motors and a cassette tape player, but the crude prototype was enough to charm Kingsborough.

    And I loved Ken Forsse.

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    He was such a kind and gentle soul, an extraordinarily creative person. Forsse's connections with Hollywood and Disney helped him assemble a talented pool of professionals, including a puppeteer, television voice actors and a director of music for Disney's theme parks. One of them was George Wilkins, who had just finished composing music for the opening of Disney's Epcot theme park in Florida. His theme song for the Horizons ride will forever be in my brain.

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    He wrote about songs for Teddy's story tapes and related shows, often three or four songs a week. Wilkins, now 83, says one song is particularly unforgettable. A year into the project, Alchemy received a letter from a young girl dying of leukemia who requested the Teddy lullaby, " Will you go to sleep before I do? Voice actor Phil Baron also wrote many song lyrics and stories. Decades later, I got goosebumps hearing my childhood toy speak to me over the phone. When recording for Teddy, Baron had to speak extra slowly since audio was sped up slightly to make him sound other-worldly.